In Fanon’s view, the Western bourgeoisie was “fundamentally racist” and its “bourgeois ideology” of equality and dignity was merely a cover for capitalist-imperialist rapacity. In this, he anticipated the contemporary critique, frequently derided as “woke,” that holds that the West’s material and ideological foundations lie in white supremacy. European imperialists had, he charged, “behaved like real war criminals in the underdeveloped world” for centuries, using “deportation, massacres, forced labor, and slavery” to accumulate wealth. Among their “most heinous” crimes were the rupturing of the Black man’s identity, the destruction of his culture and community, and the poisoning of his inner life with a sense of inferiority. European thought, Fanon wrote, was marked by “a permanent dialogue with itself, an increasingly obnoxious narcissism.”

Shezad Dawood, Leviathan Cycle, Episode 8: Cris, Sandra, Papa & Yasmine, 2023. Single screen, HD video, 17:33. Commissioned by Hybrid Futures (a multi-part collaboration focusing on climate, sustainability, collaborative learning and co-production between Castlefield Gallery, Manchester; Grundy Art Gallery, Blackpool; Touchstones Rochdale; University of Salford Art Collection and Shezad Dawood Studio, and generously supported by Arts Council England and Art Fund), Leviathan — Human & Marine Ecology Ltd, The Void, Derry.

Episode 8: Cris, Sandra, Papa & Yasmine’

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