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A landmark legal case has been launched against the world’s largest tech companies by Congolese families who say their children were killed or maimed while mining for cobalt used to power smartphones, laptops and electric cars, the Guardian can reveal.
Apple, Google, Dell, Microsoft and Tesla have been named as defendants in a lawsuit filed in Washington DC by human rights firm International Rights Advocates on behalf of 14 parents and children from the Democratic Republic of the Congo (DRC). The lawsuit accuses the companies of aiding and abetting in the death and serious injury of children who they claim were working in cobalt mines in their supply chain.
Apple, Google, Dell, Microsoft and Tesla have been named as defendants in a lawsuit filed in Washington DC by human rights firm International Rights Advocates on behalf of 14 parents and children from the Democratic Republic of the Congo (DRC). The lawsuit accuses the companies of aiding and abetting in the death and serious injury of children who they claim were working in cobalt mines in their supply chain.
Materials Matter is a printed leaflet, set of cards and script for disassembly and reassembly of a mobile. Participants of all ages can learn about the raw materials inside electronics by reading our leaflet and using our cards to pair with mobile phone components.
Use Make Works to source local fabricators, material suppliers & workshop facilities.
About the book: A decade ago many gushed at the possibilities of 3D printers and other DIY tech. Today makers are increasingly shaking off their initial blind enthusiasm to numerically control everything, rediscovering an interest in sociocultural histories and futures and waking up to the environmental and economic implications of digital machines that transform materials. An accumulation of critique has collectively registered that no tool, service, or software is good, bad, or neutral—or even free for that matter. We’ve arrived at a crossroads, where a reflective pause coincides with new critical initiatives emerging across disciplines.
Unmaking Waste is a partnership with the China Australia Centre for Sustainable Development at the University of South Australia which has delivered two successful international conferences as well as photography and design exhibitions and a number of publications. Unmaking Waste focuses on a cross disciplinary approach and engages with themes such as circular economy, waste, design, consumption, production and the UN’s Sustainable Development Goals, in particular SDG 12; Ensure sustainable consumption and production patterns.
MIDDLEBURY — Author Adam Minter will travel a thousand miles for a good recycling story. And for his latest book, Minter racked up significant frequent-flyer miles from Middlebury to China and ports in between, in his effort to shine a light on worldwide efforts to extend the life of our prized possessions and thus stem the tide of waste into landfills.
In Agbogbloshie, a community in Accra, Ghana, people descend on a scrapyard to mine electronic waste for recyclable materials. Without formal training, these urban miners often teach themselves the workings of electronics by taking them apart and putting them together again. Designer and TED Fellow DK Osseo-Asare wondered: What would happen if we connected these self-taught techies with students and young professionals in STEAM fields? The result: a growing maker community where people engage in peer-to-peer, hands-on education, motivated by what they want to create. Learn more about how this African makerspace is pioneering a grassroots circular economy.
Basurama is a collective devoted since 2001 to research, production and cultural management. They have focused their area of study and activity in the production processes, the generation of trash that those processes imply and its creative possibilities. In this talk, they discuss their work if giving visibility to trash, and not only things, but spaces, places, and most importantly, people.In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)
In Brazil, "catadores" collect junk and recyclables. But while they provide a vital service that benefits all, they are nearly invisible as they roam the streets. Enter graffiti artist Mundano, a TED Fellow. In a spirited talk, he describes his project "Pimp My Carroça," which has transformed these heroic workers' carts into things of beauty and infused them with a sense of humor. It's a movement that is going global.
The municipality opened its own Reuse Centre in the village of Lammari in 2011, where items such as clothes, footwear, toys, electrical appliances and furniture that are no longer needed but still in good condition can be repaired where necessary and sold to those in need, thereby diverting them from landfill and serving a vital social function.
Design Academy Eindhoven alumni studios look at the myriad consequences of junk in a globalised world in an exhibition at the Van Abbemuseum and across the city for Dutch Design Week.
Geo-Design: Junk – All That Is Solid Melts Into Trash presents responses to the idea of junk from 18 design studios led by alumni of the Design Academy Eindhoven (DAE).
These vary from a research project looking at the export of second-hand clothing from China to Zambia, and satellite images that shed light on e-waste dumping grounds, to a series of hand-drawn maps and interviews about waste collection in the Gaza Strip.
Geo-Design: Junk – All That Is Solid Melts Into Trash presents responses to the idea of junk from 18 design studios led by alumni of the Design Academy Eindhoven (DAE).
These vary from a research project looking at the export of second-hand clothing from China to Zambia, and satellite images that shed light on e-waste dumping grounds, to a series of hand-drawn maps and interviews about waste collection in the Gaza Strip.
There is a word to describe the condition to which consumer culture’s material output is destined from the outset. That word is junk.
Junk is not an accident, some-thing unplanned or unexpected—it is a substance that has been designed. Junk is the trail that is left in the wake of growth and global trade, a product of industry, an indicator of income and social status, a material, an aesthetic. Junk is a paradox: without it, our economies would wither; on the other hand, we are literally drowning in it.
GEO–DESIGN: Junk. All That Is Solid Melts into Trash, exhibition is created in collaboration with Van Abbemuseum with the support of BIZ Eindhoven and explores global systems of discarded things through 18 strikingly different investigations by alumni from Design Academy Eindhoven
Junk is not an accident, some-thing unplanned or unexpected—it is a substance that has been designed. Junk is the trail that is left in the wake of growth and global trade, a product of industry, an indicator of income and social status, a material, an aesthetic. Junk is a paradox: without it, our economies would wither; on the other hand, we are literally drowning in it.
GEO–DESIGN: Junk. All That Is Solid Melts into Trash, exhibition is created in collaboration with Van Abbemuseum with the support of BIZ Eindhoven and explores global systems of discarded things through 18 strikingly different investigations by alumni from Design Academy Eindhoven
"Repair groups from across the industry announced that they have formed The Repair Coalition, a lobbying and advocacy group that will focus on reforming the Digital Millennium Copyright Act to preserve the “right to repair” anything from cell phones and computers to tractors, watches, refrigerators, and cars. It will also focus on passing state-level legislation that will require manufacturers to sell repair parts to independent repair shops and to consumers and will prevent them from artificially locking down their products to would-be repairers.
Discard studies is an emerging field that takes systems of waste and wasting as its topic of study, including but beyond conventional notions of trash and garbage. To keep practitioners up-to-date, Discard Studies publishes The Dirt, a monthly compilation of recent publications, positions, opportunities, and calls for proposals in the field. Here is The Dirt for September 2019.
How is the maker scene doing in the largest city of the European Union? Makery made the rounds of the digital fabrication spaces, less fablabs than makerspaces.
Written a year after the birth of her first child, Ukeles' Manifesto calls for a readdressing of the status of maintenance work both in the private, domestic space, and in public. Through this she attempts to break down the barriers between what we think of as 'work' and what can be labeled 'artwork'.
Library of Things describes collections of things other than books that are being loaned like books, for no charge. A library of things can loan out kitchen appliances, tools, gardening equipment and seeds,[1] electronics,[2] toys and games, art,[3] science kits, craft supplies, musical instruments, recreational equipment, and more.[4] These new types of loaner collections vary widely, but go far beyond the books, journals, and media that have been the primary focus of library collections in the past.[5]
Doch Chkae began life on a Cambodian rubbish dump, but now play to thousands.