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Staying lean and being smart about how you collect data can build trust with your users and ultimately help grow your business.
This collaborative research series for Mozilla's Data Futures Lab explores how power can be shifted through data governance. Learn with us about the ideas, risks and opportunities of this new innovation landscape for the internet.
THIS IS DISTRIBUTED DESIGN - DOCUMENTARY
ZUM-Apps ist ein kostenloser Online-Speicher der Zentrale für Unterrichtsmedien im Internet für interaktive H5P-Inhalte. Wir laden Dich ein, diese Inhalte zu nutzen oder selbst welche zu erstellen oder hochzuladen.
Display H5P content without the need for an H5P server
Lumi is a desktop app that allows you to create, edit, view and share interactive content with dozens of different content types. It's free and open source.
Just some notes for my “H5P!? The very basics” session at OERcamp global 2021. Don’t expect all of this to be self-explanatory if you come across it by chance 😀
The specification for the H5P file format consists of 5 important components.
Create, share, and adopt educational resources into your courses.
Currently, you can create interactive H5P resources, and build single-page, modular tutorial resources.
We will be continuously adding new resource types for you to create, including: course sites, digital textbooks, and quizzes.
Currently, you can create interactive H5P resources, and build single-page, modular tutorial resources.
We will be continuously adding new resource types for you to create, including: course sites, digital textbooks, and quizzes.
Simple and lightweight
No statically built html files
Multiple themes
No statically built html files
Multiple themes
Create, share and reuse interactive HTML5 content in your browser
Commonspoly is a non profit, open source board game that encourages a culture of cooperation and questions the violent model of neoliberal privatisation.
In other words, waste generated by Western imperialism or produced for the comfort and consumption of privileged white people ends up being dumped on racialized people, either at home in impoverished racialized neighborhoods, or in the countries of the Global South.
Cargo-cycles and Kinship in Kolkata
The labour of repair rooted in tutelage and kinship, and the loyalties and discontents that surround repair worlds regulate social order. They recast questions of interdependence and difference in cities. Kolkata’s cargo-cyclists and repair workers who assemble and maintain these old vehicles redeem the city from its disrepairs. Their location and lives are read against the history of capital, contemporary infrastructure building and the logistics of labour. While tutelage fulfils the promise of labour for those who were previously excluded from it, the kinship fostered in Kolkata’s repair worlds continues to keep workers at the margins of capital and profits.
The labour of repair rooted in tutelage and kinship, and the loyalties and discontents that surround repair worlds regulate social order. They recast questions of interdependence and difference in cities. Kolkata’s cargo-cyclists and repair workers who assemble and maintain these old vehicles redeem the city from its disrepairs. Their location and lives are read against the history of capital, contemporary infrastructure building and the logistics of labour. While tutelage fulfils the promise of labour for those who were previously excluded from it, the kinship fostered in Kolkata’s repair worlds continues to keep workers at the margins of capital and profits.
An Introduction to the Labours of Repair and Maintenance in South Asia
What Stays – Archiving Care is a year-long residency project exploring digital counter-archives and the role of technology in opening up alternative histories and memories. The project launched with an open call for three digital residencies for international artists of any discipline. The residents were selected by jury members Helen Pritchard, Oulimata Gueye, Clara Herrmann, Markus Huber, and Nora O Murchú.
Waste is fundamentally crucial to environmental discourse both in physical and digital domains. It contains the value, usage, and temporality of things, although many are unaware of how much these phygital wastes contribute to the climate catastrophe. Just from our daily lives, we are in situations that contribute to carbon emissions generated through our devices and internet use. In contrast, other parts of the world, such as Nairobi, the subject of KMRU’s piece, are battling with tactile wastes, surrounded by landfills affecting communities and the life of humans and other species. waste(s) (2021, 15:48 min) seeks to reflect on the concept of pollution. It asks: How is waste created? What happens when waste is thought of in different ways, and can waste be a source? To create the piece, KMRU collaged field recordings of waste(d) spaces, electromagnetic sounds of social media sites, and the digital debris of trashed and recycled audio fragments into new compositions. A juxtaposition between the digital-physical concept of waste, waste(s) is recontextualized as an artistic resource for real and imagined pollutions.
O encontro "Decolonialidade e Ciênciada Informação: veredas dialógicas” teve por objetivo promover aproximações dialógicas entre a temática da Decolonialidade e o campo da Ciência da Informação, além de contribuir para com o compartilhamento de pesquisas críticas do campo informacional.
You sort your recycling, leave it to be collected – and then what? From councils burning the lot to foreign landfill sites overflowing with British rubbish, Oliver Franklin-Wallis reports on a global waste crisis